Review: Syracuse Stage brings the enchanting tale to life.
Syracuse Stage ushered in the holiday season with its production of “The Lion, The Witch, and The Wardrobe” beginning Nov. 25. The set, costumes, and enchanting story are enough to recreate childhood nostalgia for audiences of all ages.
Review: SU Drama presents Fuddy Meers at Syracuse Stage
Every morning, Claire wakes up in a strange man’s bed.
The man brings her a cup of coffee and lays out her clothes. The man reassures her that she would rather have coffee than juice, and the semi-hideous red dress on the bed is her favorite item of clothing.
The man is her husband, but Claire doesn’t know his name or anything about him.
Review: Jeffrey Hatcher’s adaptation is a do-it-yourself ghost story
A rainy Friday night greeted the 39th season opener of Syracuse Stage: American novelist Henry James’ ghost story The Turn of the Screw. A thick audience streamed in for the performance, swaddled in raincoats and peeking from under dripping umbrellas.
"Lysistrata" at SU Drama or, how many times can you say "sex" in a review? The answer, not enough.
If anyone is wondering where their socks went, look in the obscenely tight pants of the male cast members in Lysistrata, now being performed by SU Department of Drama. It features numerous male cast members in their underwear, which inevitably gives rise to the question: “Is it real or stuffed?”
For this bawdy sexual comedy, this kind of thinking is necessary to enjoying it. So lay back and get in position.
What's showing on the Syracuse theatrical stages this February? A little love, a little tragedy, some gender battles and Beatles. Apparently, all you need is love if it's February in Syracuse.
Review: Reenah L. Golden smoothly transitions between 16 characters in this one-woman play about the deficiencies in American education.
There is a moment in No Child…, the first play of Syracuse Stage’s 38th season, when main character Nilaja sits alone in a chair, lit by a single spotlight. She ponders the deficiencies of the American education system, which has led to apathetic, unqualified teachers and uninspired, underachieving and even cruel students.
Actress Reenah L. Golden uses her experience as a teaching artist to help her perform 16 roles in "No Child..." -- Syracuse Stage's 38th season opener.
If there’s one thing you can say about actress Reenah L. Golden, it’s that she doesn’t take things for granted. Take the moment she was offered the main role for a Rochester production of the one-woman play, No Child… by Nilaja Sun.