Review: SU Opera Theatre's production suffers from maturation and casting issues.
Decades of practice and patience lead to greatness--at least for some of the world’s most renowned opera singers, who often wait until their 30s, 40s or even 50s, before their voices mature to a perfect timbre.
The Syracuse run of Lookingglass Alice alley-oops, flies and tumbles triumphantly into our hearts — all with just five people on stage.
Lookingglass Alice is writer-director David Catlin’s acrobatic re-imagining of Lewis Carroll’s beloved Alice’s Adventures in Wonderland, Through the Looking Glass and What Alice Found There, now playing at Syracuse Stage. Based more on the latter story, Catlin charts Alice’s progression from pawn to queen (or metaphorically from child to woman) and in 90 minutes gives audiences a gasp-inducing, awe-inspiring visual and aural treat.