Review: SU Drama presents Fuddy Meers at Syracuse Stage
Every morning, Claire wakes up in a strange man’s bed.
The man brings her a cup of coffee and lays out her clothes. The man reassures her that she would rather have coffee than juice, and the semi-hideous red dress on the bed is her favorite item of clothing.
The man is her husband, but Claire doesn’t know his name or anything about him.
Review: The bizarre musical at The Red House spooks viewers this Halloween season.
If you give a Bat Boy a home, he’s going to ask for an education. If you give a Bat Boy an education, he’s going to ask to attend a church revival. Obviously.
If you’ll play along with the campy storyline, Red House Arts Center's latest production, “Bat Boy: The Musical” delivers the energy required by this fun show. But if you’re looking for theatrical genius, you will surely be disappointed.
The perfect classical and popular music picks to spookify your Halloween.
If you’re looking to amp up your trick-or-treating playlist this Halloween, look no further. Local music critics Josh Breeden (pop) and Leah Harrison (classical) serve up their favorite spooky soundtracks, both classical and popular. You won’t find the famous organ "Toccata and Fugue" or the "Monster Mash" on this list, but instead some eerie choices that would make both Bach and Bobby Pickett’s hair stand on end.
NYC-based Buglisi Dance Theatre partners with Syracuse community members to commemorate victims of terror
In the midst of tailgating crowds and barbeque smoke before Friday’s football game, approximately 65 dancers, clad in white, slowly made their way in winding lines from the Newhouse plaza through the Lockerbie memorial to the steps of Hendricks chapel.
Review: Local musicians bring symphonic music back to Syracuse after the bankruptcy of the SSO.
Sunday's Symphony Syracuse concert delivered two things: music and a message. This organization—meant to serve as a lifeboat to symphonic music after the declared bankruptcy of the Syracuse Symphony Orchestra—made a case for themselves through several impassioned speeches, but more convincingly, by playing beautifully together.
Review: Eric Lott explains Joni Mitchell's "Pimp Game" and more.
An icon of musicians, flower children and their children alike, Joni Mitchell has proven to be more than a product of 60s and 70s counterculture. Born Roberta Joan Anderson on Nov. 7, 1943 in Ft. Mcleod, Canada, her music has been sampled and covered by numerous artists from Prince to Crosby Stills and Nash.
Review: The one-woman murder mystery is filled with surprises
“Radio Star,” a one-woman play by Tanya O'Debra, features a large cast. Let me say that again. This one-woman play features a large cast. And every character is played by the wildly talented O'Debra. Within the small theater space at the Red House Arts Center O'Debra stages a full 1940s-style radio production, complete with sound effects.